Over the years, I’ve had the privilege of participating in a variety of projects and to write on topics which I’ve found important and stimulating, take a look at my most recent publications.

• “In The Silence of An Untimely Glitter Stache” exhibition essay, The Animal Seems To Be Moving, Le Centre d’art et de diffusion Clark, Montreal, 2022. (Read it online)
• “salt. For the preservation of Black diasporic visual histories” RACAR special issue co-edited with Pamela Edmonds. Fall 2022. (Read it online)
• “Créolité Continued: Manuel Mathieu’s A Tropical Onomatopoeia” Manuel Mathieu: World Discovered Under Other Skies (Toronto: The Power Plant, 2022).
• “Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum” History, art and Blackness in Canada Eds. Julie Crooks, Dominique Fontaine, Silvia Forni (Toronto: Royal Ontario Museum) forthcoming.
• “‘blips in time’ a constellation of Black Canadian artistic tradition from 1970 on” curatorial essay, Blackity, Artexte, Montreal, 2021. (Read it online)
• “Black Gold: A Black Feminist Art History of 1920s Montreal” Canadian Journal of History /Annales Canadiennes d’Histoire special theme issue: “Black Creativity, Expressive Cultures, and Narratives of Space and Place,” (December 2021).
• “Curating, Criticism and Care, or, ‘Showing Up’ as Praxis” C Magazine 145: Criticism, Again (Spring 2020). (Read it online)
• “Syrus Marcus Ware, #BLACKLIVESMATTER, and ‘Artivism’ in Canada” Spaces and Places of Canadian Popular Culture, Ed. Victoria Kannen and Neil Shyminsky. Canadian Scholars Press (2019) 44-55.
• “Speculations”, curatorial essay, Artexte, Montreal, 2019.
• Exhibition Review “From Africa to the Americas : Picasso Face-to-Face, Past and Present and Here We Are Here : Black Canadian Contemporary Art, Montreal Museum of Fine Arts” RACAR: What Is Critical Curating? Vol. 43, no. 2 (2018). (Read it online)
• ” ‘Embodiment and Subjectivity’: Intersectional Black Feminist Curatorial Practices in Canada” RACAR: What Is Critical Curating? Vol. 43, no. 2 (2018). (Read it online)
• “Changemakers: (self) Representation in a Kaleidoscope of Blackness” Mixed Heritage: (Self) Portraits and Identity Negotiation, Americana: E-Journal Of American Studies In Hungary, Vol XIII, No. 1, (Spring 2017) (Read it online).
• “While No One Was Looking Interview Series: Charmaine Nelson” Art/iculation Art History & Communication Studies Post Graduate Students’ Society, McGill University, Montreal, (April 2017) (Read it online)
• “Futures Imagined ‘While No One Was Looking’ ” Art/iculation Art History & Communication Studies Post Graduate Students’ Society, McGill University, Montreal, (April 2017) (Read it online)
• “Histoire d’amour malsaine : Le blackface au Québec”, Tic Art Toc : Les liaisons dangereuses, 5, Fall 2015, 44-47.
• Joachim, J., et. al., “[Dis]Identifications: Challenging Dominant Narratives of Black People in Canada”, EAHR @ Artexte: Uncovering Asian Canadian and Black Canadian Artistic Production, (Montreal: Ethnocultural Art Histories Research Group, 2015). (Read it online)